A Little Bit
Byungjun Kwon
November 5 - 17. 2007
Performance : 5p.m. November 17. 2007
Understanding sound and the relevant instruments (and softwares), applying it to various artistic arrangements , the participants will unfold their own stories by means of music, installment, performance and the radio.

The participants will be introduced to basic DSP(Digital Signal Processing) for the sound analysis and synthesis, MAX/MSP for the simple programming and other applications for editing and combining sounds. Then they will be guided to experience field recording and listening which made the long tradition of ’Soundscape’ movement and the new approaches nowadays . Furthermore, they will work on Circuit Bending(disassembling and modifying used-hardware or toys) to make new instruments or artistic installments which may be connected to computer through the sensors for the interactivity.

Guest speakers’ lectures and other performances are to be organized during the workshop. The whole workshop will be managed reflecting on the participants’ areas of interest. The resulting works are supposed to be broadcasted through the low power radio transmitter and the workshop space be open to public as an exhibition.

Byungjun Kwon started his musical career in early 90`s as a singer/songwriter and has released 7 albums ranging from alternative rock to minimal house. He creates music for records, sound tracks, fashion collections, contemporary dance, theatre plays and interdisciplinary events. Recent works and performances have been presented in many international venus. Now he lives and works in Amsterdam.

byungjun.pe.kr
The IAS workshops promote voluntary participation and personal ownership of the process rather than structured indoctrination. Away from giving one-sided instruction, the IAS workshops encourage participants to get motivated and activated in the course of discussion.

It is hoped that participants will proactively delineate the issues and agenda relevant to the field of the visual arts, refine them, and thereby “pre-empt ” the future discourses and activities in the practice of the visual arts.